The Scoop

Grab some coffee, and get comfortable… because this will be a long post! I’ve never shared my full story with you before, so here it is from the start. 

Which came first: the camera or the horses? Like many of you, the horses came first. Let’s start a generation back. Growing up, my mom was a horse girl but never had the opportunity to ride. So as soon as my older sister was old enough, my mother enrolled her in horseback riding lessons. I tagged along to each lesson, too young to ride myself. The academy’s policy was 5 years and older, but my persistent begging wore down the instructor to start my lessons at 3 years old. I rode a nearly all-white POA mare named Ashley and I never looked back. My sister lost interest in horses after a few years, but my love for them only grew. 

After several years of lessons in the dressage academy, my mom found a local barn that leased out miniature horses. When I was in second grade I was able to show a mini horse named “Frankie” in driving and in-hand events while also riding my instructor’s big horse. The following year, I leased a POA named “Raz” (you can read all about her here) and by the fourth grade, my parents purchased Raz for me so that I could start showing in the local 4-H club. 

I’ve chronicled all of my riding adventures in The Horse That Built Me series already but to summarize I went from 4-H to showing Hunter-Jumpers in middle school, to showing all-around paint horses in high school. Eventually, I left the Pacific Northwest when I moved to Texas and rode on scholarship for Texas Christian University’s Women’s Equestrian Team from 2009-2012. 

As soon as I got to the Lone Star State, I fell in love. I knew I wanted to be in Texas for the rest of my life. I studied finance in college with a strong interest in the asset management industry. I had internships at private wealth management and private equity firms. My senior year of college I purchased a DSLR camera for Christmas— a Christmas present to myself. I had no intention of being a photographer. I just liked nice pictures and spent all year borrowing my roommate’s fancy camera. I figured I should have my own. 

As soon as I got that camera I went to my parent’s front pasture and started taking pictures of the horses in the front pasture. Horses were the only subject I was drawn to. I had no interest in weddings, newborns, or many of the “traditional” subjects photographers take pictures of. For me, it was horses from day 0. 

That same winter break at home I decided to graduate from the pasture ornaments in my yard to my friend with her horses. That instantly lit a fire within me: I had an insatiable desire to capture the relationship between a girl and her heart horse. 

You see, I had to sell my heart horse Tahoe when I went off to college. I had pictures with him, yes, but mostly show proofs that didn’t show our true relationship. We accomplished a lot in the arena, but our real story was outside of the show pen. Call it a lightbulb moment, but I felt like there was a hole in the (then) current equine photography market for someone who documented this relationship. At the time in 2012, I was planning my own wedding and was constantly on wedding blogs like Style Me Pretty. The photography aesthetic I fell in love with was a beautiful pastel, light, airy and romantic film look. I came up with a “business plan” to offer these romantic, filmy images to the equestrian market. 

In 2012, I spent most of the year practicing my craft. I purchased a film camera (a Contax 645 like all of my film idols) and had PhotoVision scan all of my film work. By 2013, I registered and started my business. Jake and I also moved across the country from Oregon to Texas shortly after our wedding. 

2013 was a year of building. After moving to downtown Dallas, I was working my dream job in finance while trying to shoot on weekends. I had a few small wins that really served as the foundation of my business. I had two clients specifically that were my “ideal” client, so I took that as the market proof I needed to support the theory of my business plan. Now I just needed some momentum. Financially, the business took a loss this year as I tried to invest a lot in professional gear and advertising. 

In 2014, I hit my groove as a side business and I started traveling for photo shoots. A referral from a photography friend also helped me land my first paid cover. My clients were publishing my work in industry magazines. This year I was primarily shooting on my film cameras still, while I was trying to dial in my digital workflow to match the aesthetic. The business broke even this year after big reinvestments and a growing marketing budget. 

In 2015, the momentum started to grow. I was hired for my first big cover. I started photographing big players in the industry. I was being asked a lot of questions from other photographers, which was the push I needed to start this KMP Learn blog for frequently asked questions. I also began to formally mentor other photographers through both Skype calls and in-person. I started incorporating more digital into my workflow and really became a “hybrid” photographer using both film and digital cameras at each session. This was the first year my business generated a meaningful profit. 

In 2016, I hit a real tipping point where I essentially had 2 full-time jobs. I was working 60+ hours at the finance firm, and flying weekends to shoot at different destinations. I was editing at night and spreading myself a little too thin. My physical health was declining, with stress acting as a trigger for my autoimmune disease. It was a great year financially, and the business was soaring, but the workload was unsustainable and [after a lot of therapy sessions] I began working on my plan to transition the photography business to full-time. 

I took the photography business full-time in early 2017. Right after I put in notice at the finance firm, I found out I was pregnant with Sadie. Knowing that I now had no paid maternity leave, I overbooked my spring to be able to take 5-months of maternity leave at the end of the year. By now, I was primarily a digital photographer and rarely reached for my film camera. It was an incredible year for my first year of full time and even with a break at the end of the year I was able to replace the income from my finance job. 

Without a doubt, 2018 was my most challenging year. Being a new mom with a growing business maxed me out. I was constantly pushed to my limit and that forced me to put up some serious boundaries both professionally and personally. I started to care for my mental health with a new, heightened priority. I brought Sadie on almost all of my travel, along with my assistant and a grandma to babysit (which hurt my bottom line tremendously but was a high priority for me personally). 

By 2019, things felt more stable and comfortable. I was leaving Sadie behind with Jake when I traveled and I took my assistant along with me. This was the year I started to film and publish the first KMP Learn courses. It was a huge undertaking on top of a full portrait schedule, but by the end of the year, I had most of the content live on this site! 

2020 started strong, but you know the story. It came to a screeching halt in mid-March until the end of April. In March, Jake and I sat down and went through my finances. We made sure that even in the worst case (returning every retainer I had taken) that my business would be ok. It felt good to know that my business emergency account could handle it all. I hit the ground running in May when the Texas Governor opened small businesses back up and I started traveling all over again. I think I went on 50 flights that year, but I did a lot of it quietly because of the social anxiety I had. Travel and the virus… they were all such polarizing subjects that I didn’t want scrutiny over. Even with 6 weeks (that were historically my highest grossing months) completely shut down, 2020 ended as my highest grossing year up to that point. 

Thankfully, 2021 was a great year. I had brought on some new commercial accounts, expanded into more social media collaborations, and the portrait business continued to grow. Personally, it was a year we added a few horses to our herd and spent a whole lot more time at the barn as a family. I felt like I made a lot of personal growth by being able to turn work “off” at the barn and spend more intentional time with my family.

If you’ve made it this far — wow! There are big and exciting things in store for both Kirstie Marie Photography and Learn with Kirstie Marie in 2022 and beyond! More than anything, I love hearing from you! The reason this blog was created was to answer your specific questions, so please feel free to send over an email or DM on social media!

Kirstie Jones

fine art equine photographer

A lifetime horse enthusiast, the Texas-based equine photographer has experienced first-hand the immeasurable bond between a horse and a girl. She strives to capture that special relationship for each and every client.

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